Anoush Moazzeni // آنوش موذنی

Aesthetic Re-creation | Concepts In The Making

Ecologies of (synaesthetic) Art(ifact) & Philosophy

Transcendental Empiricism | Diagrammatic Transdisciplinarity

A Worker In Intensities, Chaos, Frequencies, Rhythm, Plane of Composition, Plane of Immanence and Unit of Concrescence

Transdisciplinary Artist • Concert Pianist • Composer-Improvisor • Scholar in Philosophy and Arts • Educator • Community-oriented Arts Administrator

Instituting Power of Ritornello: Refrains of Becoming Woman

Research-Creation: Transdiciplinary Work

Performance| Art & Philosophy

Travelling In-Between Intensitiies

workshop

Soundscape Ecology Workshop: SoundWalk, Listenng Walk and Sound Making In Esfahan

Workshop

Healing In-The-Making: Improvisational Explorations in The Post-Pandemic Era

Transdisciplinary Composition| Research-Creation

Autopoiesis in the Becoming - Autopoïèse dans le devenir

Performance - Call for Score

Deterritolizing The Realm of The New Music

Results - Announcement

SELECTED COMPOSERS- Call for score: Detteritorializing the realm of the new music

Call for Score

CALL FOR SCORE - for West Asian Composers (including those in the diaspora)

Performance

Video Recording of Herny Cowell's Aeolian Harp for piano

Workshops & Mentorship

Introduction to The Contemporary Piano Music: Performance & Composition

Immersive Audio-Visual Work| Co-creation

Le temps c'est mourir, créer à l'envers

Research-Creation

An Interdisciplinary Composition for Decolonizing the Mind

Article

Publication - Announcement

Improvised Music - Quintet

Digital Album Release - Announcement

Piano Performance and Robotic Arts

Residency @ Banff Centre for Arts & Creativity

Solo Performance - Piano+ and Real Time Digital Audio Processing

Two Performances - RETHink Art Digital Festival

MIXED-MUSIC DUO: ZzCc / MoaZZeni & RoCChia

Artist Residency & Performance

Improvisation on Prepared Piano

Contemporary Music

Recordings

Piano Performance

About Anoushآنوش

Short Biography

Anoush Moazzeni is a transdisciplinary artist, concert pianist, composer-improvisor, scholar in philosophy and arts, educator, administrative director of 'perte de signal' artist-run centre (digital arts), and is currently completing her doctoral studies in individualized studies under Erin Manning's supervision at Concordia University. She identifies as a worker in intensities, chaos, frequencies, rhythm, plane of composition, plane of immanence and unit of concrescence. As a performer-maker-thinker, she engages with bodies and materials that are suffused with ethical, vital and political power. Moazzeni is interested in feeling,thinking and making through intersensory and multidimensional encounters with material and immaterial flows to create concepts, blocs of sensations -affects & percepts- and becomings that allow for provoking meaning/visuality and producing knowledge. Hence her semiotic expression takes different shapes depending on the thresholds of her engagement with other assemblages, and her expressions circulate somewhere beyond the media and in-between senses, grouneded in the process thought of Whitehead and Deleuze & Guattari.

The development of Anoush Moazzeni’s art incorporates artistic practice, aesthetics, philosophy, and community work. In her particular areas of interest, she conducts her works to investigate on non-canonic, experiential and artistic forms of knowledge production, political, epistemic and aesthetic dimensions of the human-machine relationship, issues of representation and subjectivation, critical policy analysis, aesthetics(as Politics), decolonial projects and aestheSis, new strategies for hybrid and interdisciplinary performance design, soundscape ecology, mixed music composition, extended techniques and unconventional instrumental performance practice, interactive musical technologies, interface design, robotics and the artificial intelligence. Where her works are engaged with new technologies, Moazzeni explores the ways in which the human-machine relations in arts entail new modes of knowing, becoming and experiencing the world and she tries to shed light on the ethical, epistemological and ontological issues that arise from and are implicit to techno-scientifically driven arts.

Anoush Moazzeni enjoys a performing career that has, frequently, taken her around the world. She has performed at various festivals, venues, museums and conferences in Americas, Europe, and West & East Asia. She has been commissioned as artist, composer and lecturer-performer by arts and human rights institutions and organizations such as the Aga Khan Museum in Toronto(AKM), the Fine Arts Museum in Quebec City(MNBAQ), Museum of Civilisation in Quebec City, the 2nd International Art and Human Rights Symposium in Ottawa and the Canadian Music Center(CMC) among. others in recent years. Moazzeni has been constantly engaged in the organization of cultural mediation & educational programs and community works, aiming at facilitating the access and brining back to the table minority perspectives on sociality, spirituality and the arts, in collaboration with marginalized and/or at-risk communities with the support of institutions such as Vidéographe, Feminist Media Studio, LA CHAMBRE BLANCHE and others. Anoush Moazzeni has premiered more than 80 pieces for piano solo and collaborative piano from contemporary composers around the world under call for scores and commissions and she has been awarded as the winner of multiple competitions and scholarships for her compositions in Canada, France and Iran. She was apponted as executive and artistic director of Vaste et Vague artist-run centre in Carleton-sur-mer, Qc and is currently directing Perte de signal digital arts artist-run centre in Montreal-

Bioographie / FR

 

Anoush Moazzeni est une artiste transdisciplinaire, chercheuse en philosophie et arts, pianiste concertiste, compositrice-improvisatrice, pédagogue, directrice administrative du centre d'artistes 'perte de signal' et doctorante dans le programme interdisciplinaire sous la supervision d'Erin Manning à l’université Concordia.

Moazzeni a coordonné de multiples projets collaboratifs et initié des collaborations culturelles, artistiques et académiques entre artistes, institutions, laboratoires, centres d’artistes et centres communautaires ainsi que différents travailleurs et travailleuses culturel.les. Elle a dirigé le centre d'artistes Vaste et Vague -art actuel- en 2023, et présentement dirige le centre d'artistes en arts numérique Perte de signal à Montréal

Elle est impliquée dans divers projets de recherche et de publications collectives académiques, trans-académiques et expérimentales au Canada, en Europe et en Iran. Elle a été active sur la scène internationale dans le cadre de performance interdisciplinaire pendant plus de dix ans. En tant que performeuse-créatrice-intellectuelle (performer-maker-thinker), elle se lance dans l’analyse des corps et des matériaux qui sont imprégnés d’un pouvoir éthique, vital et politique. Moazzeni s’intéresse aux sensations, aux ressentis, aux actions et aux façons de pensée par le biais de rencontres intersensorielles et multidimensionnelles avec des flux matériels et immatériels afin de créer des concepts et des devenirs qui permettent de créer du sens, le rendre visible et, par le fait même, produire des connaissances. Ainsi, son expression sémiotique prend différentes formes en fonction de son degré d’implication avec d’autres assemblages des modes d’expressions qui se développent dans un espace liminaire, c’est-à-dire, qui s’inscrit dans le processus de réflexion mené par le philosophe anglais Alfred North Whitehead et les philosophes français Gilles Deleuze et Félix Guattari.

Le développement de l’art d’Anoush Moazzeni intègre la pratique artistique, l’esthétique, la philosophie et le travail communautaire. Dans ses domaines d’intérêt particuliers, elle mène ses travaux pour enquêter sur les formes non canoniques, expérientielles et artistiques de production de connaissances, les dimensions politiques, épistémiques et esthétiques de la relation humaine-machine, les questions de représentation et de subjectivation, l’analyse critique des politiques, l’esthétique (comme politique), projets décoloniaux et AestheSis, nouvelles stratégies de conception de performances hybrides et interdisciplinaires, la poétique visuelle, l’écologie du paysage sonore, la composition musicale mixte, les techniques étendues, la pratique de performance instrumentale non conventionnelle, les technologies interactives en arts numériques, la conception d’interfaces, la robotique et l’intelligence artificielle.

À ce jour, Moazzeni a travaillé avec plusieurs organisations et centres d’artistes autogérés au coeur du milieu culturel Canadien à titre de directirce générale et artistique, conceptrice et coordinatrice de projet, coordonnatrice de la programmation, responsable des communications, adjointe à la direction générale, pédagogue, auxiliaire d’enseignement, chercheure, auxiliaire de recherche, responsable d’équipe de recherche, facilitatrice des projets de co-création, artiste et conférencière.

Elle a été mandatée comme artiste et chercheuse par divers institutions et organismes dont le mandat est axé sur l’art ou les sciences humaines tels que le Musée Aga Khan de Toronto (AKM), le Musée des beaux-arts de Québec (MNBAQ), le Musée des civilisations de Québec, le 2e Symposium international sur l’art et les droits de la personne à Ottawa et le Centre de musique canadienne (CMC) au cours des dernières années. Précisément, Moazzeni s’engage dans l’organisation de programmes de médiation culturelle, d’éducation et d’œuvres communautaires, dont l’objectif est de faciliter l’accès à la socialisation, la spiritualité et l’art; elle met en place des dispositifs afin de faire valoir les perspectives des minorités grâce au soutien d’institutions telles que Vidéographe, Feminist Media Studio, Maison d’Haïti, entre autres.

Anoush Moazzeni a travaillé comme juge, paire évaluatrice et conférencière plénière au sein de plusieurs organismes artistiques et culturels prestigieux comme le Conseil des arts du Canada (CAC), Conférence internationale des études de Dalcroze (ICDS), le prix Marcelle Deschênes pour la musique électronique, le deuxième Symposium sur les arts et les droits de la personne, la conférence sur les arts et les sciences humaines et la conférence internationale sur l’affichage auditif. Lauréate de plusieurs concours nationaux et internationaux pour sa pratique artistique, elle a également reçu de multiples bourses et prix pour ses recherches en philosophie expérimentale par le Conseil des arts et des lettres du Québec (CALQ), le Conseil des arts du Canada (CAC), la mesure Première Ovation, l’Ampli Québec, le Fonds de recherche du Québec, Société et culture (FRQSC), Centre des arts et de la créativité de Banff ainsi que des commandes d’oeuvres de la part du Musée d’Aga Khan à Toronto (AKM), du Musée national des beaux-arts de Québec (MNBAQ), du Musée de la civilisation de Québec (MCQ), du symposium sur les arts et les droits de la personne à Ottawa et du Centre de musique Canadienne (CMC)

Long Biography / EN

Anoush Moazzeni is a transdisciplinary artist, concert pianist, composer-improvisor, scholar in humanities and arts, arts administrator, educator, and Ph.D candidate in individualized studies in Philosophy, arts and aesthetics at Concordia University. Moazzeni is currently the administtrative director of 'perte de signal' digital arts artist-run centre in Montréal/Tiohtià:ke. For over than fifteen years, she has enjoyed a performing care that has, frequently, taken her around the world. Highlights of recent seasons have included visits to Americas, Europe, Southern Asia & Middle East. She has performed at several venues in New York City, Maine, Toronto, Montreal, Quebec City, Paris, Lyon, Köln, Amsterdam, Rethymnon, Tehran, Esfahan, Manizales and Kuala Lumpur.

After finishing her undergraduate studies in both piano performance and musicology, Ms. Moazzeni specialized her master’s degree in contemporary piano performance and she finializes her individualized doctoral studies in Fine Arts at Concordia University in Montréal(Tiohtiá:ke). Moazzeni is self-thaught in Philosophy, Composition, Creative Coding and Robotics, Poetry, and Digital and Visual Arts and has attended muultuple courses, workshops and masterclasses in all her areas of interest at different institutions such as Université Paris VIII, Université Lumière Lyon II, Ircam, McGill University and others

Anoush Moazzeni has studied piano with Rapahael Minaskanian, Dilbar Hakimova, Svetlena Heganian, Arthuro Nieto-Dorantes, Maurice Laforest, Mitra Dabirian, Elena Bashekian and Farangis Mousavi in Iran, France and Canada. She has also attended various piano master classes and "Cycle de Perfectionnement" in piano performance at Conservatoire Nationale Supérieure de Lyon, École Nationale de Musique de Mantes en Yvelines (Paris), École Normale de Musique de Paris (Alfred Cortôt), Tehran University, University of Montreal and Laval University with Florence Boffard, Anton Kuerti, Jacques Drouin, Gottlieb Wallisch and Khachik Babyian. Alongside her performance sudies, Ms. Moazzeni studied composition and electroacoustic music with Aaron Liu-Rosenbaum(CA), Mark Lingk(GR) and Nader Mashayekhi(IR-FR) and followed different internships in Creative and Live Coding, Electroacoustic Music, Sound Engineering and Algorithmic audiovisual composition, Robotics for Artists Virtual and Augmented Reality, Procedural Audio and Sound Spatialization at Société des Arts Technologique in Montréal, IRCAM/Centre Pompidou in Paris, Centre for Interdisciplinary Research in Music Media and Technology in McGill University, La Chambre Blanche in Quebec City, FabLab in Brussel and Deutsch-Französisches Forum Junger Kunst in Germany. She has attended multiple musician in residence programs at Banff Centre for Arts and Creativity, La Cité Internationale des Arts de Paris, IMRC in UMaine, LANTISS in ULaval and OBORO.

Moazzeni has premiered more than 80 pieces for piano solo and collaborative piano from contemporary composers around the world under call for scores and commissions. She has been constantly collaborating as jury member with various arts organizations and institutions such as CAC (Canada Council for the Arts), Fifteen Minutes of Fame and Vox Novus in New York City and Labsessions in Montreal. She has performed at New York City Electroacoustic Music Festival, Festival de la imagen in Colombia, International Conference of Dalcroze Studies, TCML in Toronto, The Feminist Art Festival in Tunisia, FestivalOFF in Quebec City, Improve Sound Festival in Maine and RETHinkArt digital Festival in Greece. Moazzeni has been also commissioned in 2020 by The Aga Khan Museum in Toronto as Composer to repond to Faig Ahmed work in a virtual exhibitioon, in 2022 as artist-researcher by the 2nd International Arts and Human Rights in Ottawa, and in 2014 as lecturer-performer of the Persian Music by IPAC (Artistic Heritage of Humanity), OIRCM (Interdisciplinary Observatory of Research-Creation of music) and the National Museum of Fine Arts of Quebec City.

Anoush Moazzeni has recorded as a solo pianist and accompanist in Canada and she has been awarded as the winner of the Concours de Disque de L'Ulaval in 2013, the finalist of the Gerard Boivin Piano Competition in 2012 and the winner of multiple awards offered by CALQ (Quebec Council for the Arts), CAC (Canada Council for the Arts), Première Ovation, L’Ampli Québec, FRQSC (Fonds de recherche du Québec – Société et culture), Concordia University and Banff Centre for Arts and Creativity.

Moazzeni is currently an active member of Feminist Media studio, La Chambre Blanche, CQAM (Conseil Québecois des arts médiatiques), CIRMMT (Centre for Interdisciplinary Research in Music Media and Technology), Hexagram (International Network Dedicated to Reseach-Creation in Media Arts, Design, Technology and Digital Culture), Milieux/LePARC (Institute for Arts, Culture and Technology/ Performing Arts Cluster), SSHRA (Social Science and Humanities Research Association), MusCan(Canadian Music University Society), CNMN(Canadian New Music Network, and IFCA (Iranian Female Composers Association). With more than 15 years of teaching experience, she has been continuously giving piano lessons and master classes (Electroacoustic Music, Coding & Piano Performance) around the world and teaches as teaching assistant at the Concordia University. Moazzeni has been collaborating with Vaste et Vague Artist-run Centre as Executive and Artistic Director, Vidéographe (Montreal based Artist-Run Centre) as Executive Assistant, Project Manager and Communications and Programming coordinator in last few years.

Press & Interviews

Comprovisations

Upcoming Events

Upcoming Events & News

► Presentation: 16th Deleuze and Guattari Studies Internationl Conference, 8-10 July, Delft, The Netherlands.

► Adminnistrative Director Position / Directrice admministrative du Centre d'artistes perte de signal en arts numériques, Montréal, QC, Canada

► 2023: Creation and Prodcution, 'Recomposing-Rhythm-In-Relation'/ Moving With The Transversalizing Movement: From Outside-Itself to For-Itself, Interdisciplinary Composition |Sound & Photograph| •Art & Philosophy Project•

► 2023: Publication : "The temporality of the event of freedom as a political praxis - -زمانیّتِ رویداد آزادی به مثابه پراکسیس سیاسی", in English and Farsi

► 2023: Re-In/De-Fusion Project: Leading a Group Reading and Working Group onFélix Guattari's The Three Ecologies in Farsi, Online.

► 2023: Re-In/De-Fusion Project: Introductionary and Preparatory Workshops, "Process Aesthetics", Online.

► General and Artistic Director Position / Directrice générale et artistique du Centre d'artistes Vaste et Vague, Carleton-sur-mer, QC, Canada

► Mars 2023: Award Recipient - Phil Cohen Music Award, Graduate Studies/Concordia University, Montréal, Canada

► Jan 2023: Residency @ Banff Centre For The Arts and Creativity, Banff, Canada

► publication

► 16-18 October, 2022: Concerts in Armenia and Iran. more information to come: October 18: Cyland Festival 2022, Yerevan, Armenia Katherine Liberovskaya & Anoush Moazzeni "Piano Inside-Out" A/V Performance: piano "plus" and live electronics and live visuals

► Fall 2022 - winter 2023 : Composition Comission from the Passé Présent project, will be preented in june 2023, Canada

► 17-21 October: Installation at Festival Internacional De La Imagen, Video performance and presentation, " Travelling In-Between Intenstities: A Conceptual and Aesthetic Itinerary For Imaginative Investigations & Doing Philosophy", Bogota, Colombia. "

► Fall 2022 : Teaching Assistanship, FFAR The City After Dark, Concordia Univeristy, Montréal, Canada.

► 15-16 September, 2022 : Oral Live Presentation, The 9th International Conference on Arts and Humanities 2022,"Research-Creation: Dissolving into the Pluriverse - Rethinking Technology and Decolonizing The Aesthetic"

► August 29, 2022: Hybrid Performance for Augmented Piano, Electronics, Movement, Anoush Moazzeni, Montreal, Canada.

► August 5, 2022: Exhibition -Installation, Interdisciplinary Composition for Movement, Bodily gesture-driven Piano Music and Wearable Art - Anoush Moazzeni, Sepideh Azadmehr, Farank Mohammadikhan, Maximilians Forum Gallery, München, Germany.

► July 20, 2022: Hybrid Performance for Augmented Piano, Electronics, Movement, Live Video - Anoush Moazzeni, Emilie Mouchous & Katehrine Lieberovskaya, Casa Del Popolo Montreal, Canada.

► May 9, 2022: Workshop In French: L'introduction à la conception des interfaces physiques en arts numériques, Semaine NumériQC, Quebec City and Online, Canada

► May 27, 2022: Screening and Presentation of Micro Opera Composition, Commissioned by the RISE OPERA-Reflective Iterative Scenario Enactments, Tehran, Montreal & ONLINE

► April, 2022: Video Interview, Open Studio, RadioSeda

► 12 & 13 April, 2022: Performance and Lecture @ Arts and Human Rights Symposium: "Building Positive Relations: The Arts, new Materialism, Posthumanism and Human Rights", Organized by The University of Ottawa's Human Rights Research and Education Centre(HRREC), ONLINE

► Workshop in Farsi: Soundscape Ecology Workshop: SoundWalk, Listening Walk & Sound Making in Esfahan, Arpa College of Music, Esfahan, Iran

► February 16, 2022: Workshop (in-person), "Healing In-The-Making: improvisational Explorations in the Post-Pandemic Era", Tehran, Iran

► February 4, 2022: Showcase/Screening, Video Piano Performance "I'm Listening to A Senile Man" @ VideoSound Archive, Issue3, Performer & Video production: Anoush Moazzeni, Composer: Can Bilir, ONLINE Archive

► 2022: New Member of the Canadian University Music Society(MusCan), Ca.

► January 10 - 28, 2022: Musician in Residence @ The Banff Centre for the Arts & Creativity, Winter Music Program, With Scholarship, Banff, Ca.

► January 14 & 18, 2022: Preparatory Workshops for the "Building Positive Relations: The Arts, new Materialism, Posthumanism and Human Rights", Organized by The University of Ottawa's Human Rights Research and Education Centre(HRREC), ONLINE

► January - May 2022: Composer and Research Assistant, RISE OPERA-Reflective Iterative Scenario Enactments, Montreal, Ca. ONLINE

► December 20, 2021: Artist Talk - Invited Artist @ Workshop:در جستجوی اشکال دیگری از روایت پرفورماتیگ شنیداری-بصری، led by amen Feizabadi, InjaMasterclass centre, Tehran, Iran

► December 12, 2021: Artist Talk @ Iranian Female Composers' Association's "Composers Forum", ONLINE

► November 11, 2021 - Janurary 11, 2022: Showcase of "Dissolving into the Pluriverse"(mixed-music composition - video performance)by the Canadiian New Music Network(CNMN)-Réseau Canadien pour les musiques nouvelles, CNMN's streaming and social platforms, ONLINE

► November 9, 2021: Workshop" Introduction à la conception de dispositifs physiques en arts numériques - Introodusction to the Conception of Physical Interfaces in Digital Arts", Host:LA CHAMBRE BLACNHE, ONLINE

► October 14, 2021: Screening and Presentation of the "The Persoanl Pandemic" digital mini-opera, RISE OPERA Reseach and Creative team, Role: Research Assistant, MTLConnecte, Moontreal, Ca.

► September - December, 2021: Research Assistant, RISE OPERA-Reflective Iterative Scenario Enactments, Montreal, Ca. ONLINE

► September - December, 2021: Teaching Assistant, "Histories of Music and Culture: Folk Music in Canada", Faculty of Fine Arts, Concordia University, Montreal, Ca. ONLINE

► September 1, 2021: Juror of the inaugural Marcelle Deshênes Prize in ELectronic Music, Organized by MusicWorks Magazine, Toronto, Ca.

► August - September 2021: Production Residency with Performance, Lecture and Instalation;"Autopoiesis in The Becoming - Autopoièse dans le devenir", Micro Opera Essay, @LA CHAMBRE BLANCHE, Quebec City, Ca

► July 26, 2021: PUBLICATION; Interview with Frédéric Cardin entiteled "The Most Fascinating Quebec Artist you (probably) don't know, published on panm360.com available in French and English:https://panm360.com/en/interviews-panm360/most-fascinating-quebec-artist-you-probably-dont-know-anoush-moazzeni-piano-avant-garde-concordia-iran-suoni-popolo/

► June 24, 2021: Youtube Premiere of RISE Opera : Personal Pandemic, @ 12 PM (EST), More info: riseopera.ca

► June 15, 2021: Post- Performance Interview with Stefan Christoff #TuneIne on www.suoniperilpopolo.org @ 8pm(EST)

► June 15, 2021: Performance @ Suoni Per Il Popolo Festival, "Deterritorializing the Realm of the New Music" project, pieces from more 18 West Asian Composers written for Anoush Moazzeni: Piano & objects + electronics and/or spoken word, poems, and voice. @ 7:30 PM(EST) on https://suoniperilpopolo.org/horaire/anoush-moazzeni

► March 1 - June 10, 2021: Production and Post-Production of "Deterritorializing the Realm of New Music" Performance Project, for an Online presentation at Suoni Per Il Popolo Festival in June 2021

► May 12, 2021: Critical Reflection #2, RISE Opera Project: Personal Pademic, Online Event vis Zoom.

► March 2021: Grant Award from the Canada Council for the Arts, Research-Creation/ Explore and Create: From Concept to Realization Program, for the "Deterritorializing the Realm of New Music" projec, Canada

► February 24, 2021: Opera Primiere(in Progress): Personal Pademic, RISE Opera Project, Online Event: https://www.concordia.ca/cuevents/offices/provost/fourth-space/programming/2021/02/24/personal-pandemic--a-mini-opera-workshop-launch-by-the-rise-proj.html

► Winter Issue 2020/2021 / MusicWorks Magazine : Featured Artist: Anoush Moazzeni, 5 pages articles by Sara Constant, You can order the magazine+CD: www.musicworks.ca

► 5 February, 2021: 3H Workshop, "Introduction to The Contemporary Piano Music: Performance and Composition", Gozar Academy of Music, Tehran, Iran.

► 18 December, 2020 - 28 February, 2021: Virtual Exhibition at the Aga Khan Museum, "Dissolving into the Pluriverse", Mixed music composition and graphic score commissioned by the Aga Khan Musieum, Curator: Charity Chan, Toronto, Canada

► Winter-Spring 2021: Teaching Assistant, "Movie Soundtrack", @ Music Department, Concordia University.

► 14 November, 2020: Online Workshop (3h) in French, in collaboration with LA CHAMBRE BLANCHE (Art Centre), "Introduction à la conception de dispositifs physiques en arts numériques", LA CHAMBRE BLANCHE, Online > Formulaire en ligne pour s'inscrire: https://docs.google.com/forms/d/e/1FAIpQLSfAu49fzp_Y8opTFE3xA49R6jqC0hhvzqqoa8zf-C_Yo0XBTg/viewform

► September 2020 - September 2021: Research Assistant @ RISE Mini Opera Project, Department of Music, Concordia University.

► 9 October, 2020: Lecture/Masterclass, IUSBC Composers, Composition Seminar led by Dr. Ryan Olivier, Indiana University, USA.

► 15 September - 1 Decebmer, 2020: Call for score & proposal for West Asian Composers(including those in the diaspora), with the support of the Canadian Music Centre(CMC) and Iranian Female Composers Association(IFCA), for Piano & objects + electronics and/or spoken word, poems, and voice.

► 27 August - 17 September, 2020: Online Workshop Series (4 courses), "Introduction to The Contemporary Piano Music: Performance and Composition", Rangahang School of Music, Tehran, Iran.

► 27 August - 17 September, 2020: Online Workshop Series (3 courses), "(Input devices/) Physical Interfaces for Musical Expression", Rangahang School of Music, Tehran, Iran.

► 15 July, 2020: Workshop, "Introduction to The Contemporary Piano Music: Performance and Composition", Navaye Shahr Ashoub Music Institut, Tehran, Iran.

► #StaySafe Anoush offers a series of livestream performances and online talks on her social media acccounts during the Pendamic: Follow her on Instagram, Facebook and Youtube and stay tuned

► 2020: Membership @ Feminist Media studio : https://feministmediastudio.ca/

► ANNULÉ/CANCELLED(due to COVID_19) March 2020: Workshop Series - Physical interfaces in the electronic arts, Bidar School of Arts and Literature, Tehran, Iran

► ANNULÉ/CANCELLED(due to COVID_19) March 2020: Master Class - Developing Performing Skills for Staging, Arpa Music Institute, Esfahan, Iran

► ANNULÉ/CANCELLED(due to COVID_19) March 2020: Master Class - Extended Techniques in Contemporary Piano Performance, Arpa Music Institute, Esfahan, Iran

► ANNULÉ/CANCELLED(due to COVID_19) March 2020: Master Class - Piano Performance, Arpa Music Institute, Esfahan, Iran

► ANNULÉ/CANCELLED(due to COVID_19) April-May 2020: Production Residency, La Chambre Blanche, Quebec City, CA

► 17 - 18 February, 2020: Confrence (Oral) Presentation, Anoush Moazzeni & Emma Bramshey : "Women & Hardware-Based Technologies for Musical Expression: A Critical Analysis - EDI in STEAM" at the 6th Dubai - International Conference on Social Science & Humanities (ICSSH), Dubai, UAE

► 15- 16 February, 2020: Confrence (Oral) Presentation, Anoush Moazzeni & Emma Bramshey : "Women & Hardware-Based Technologies for Musical Expression: A Critical Analysis - EDI in STEAM" at the International Conference on “HR , Education and Social Sciences (HESS)”- MRRDS-2020, Osaka, Japan

► December, 2019: Travel Grant, Conference Presentation, Graduate Student Association, Concordia University, Montreal, CA

► 19 December, 2019: Public Presentation & Artist Talk, Presentation of the Final VR Art Work of "Vidéographe x Maison d'Haïti: Workshops in Co-Creating an Immersive Audio-Visual Art Work", Centre des arts de la Maison d'Haïti Montreal, CA

► 24 November , 2019: Concert| Performance, EMERGENTS I - Organized by "Music Gallery", Curator: Sara Constant, 8 pm Nov 24 - 2019, Great Hall, 918 Bathurst St., Toronto, CA

► 4 November, 2019: Recording, @Recording Studio, Department of Music, Concordia University, Montreal, CA

► November, 2019: Travel Grant, Conference Presentation, INDI Program, Concordia University, Montreal, CA

► Article| Publication : Anoush Moazzeni and Emma Bremshey, (2019), "Women & Hardware-Based Technologies for Musical Expression: A Critical Analysis - EDI in STEAM"

► Research-Creation| Presentation: Anoush Moazzeni, (2019), "An Interdisciplinary Composition for Decolonizing the Mind"

► Ongoing Research Project: "Mixed-Music Improvisational Practice & Feminist Studies", with Eldad Tsabery

► September - December, 2019: "Transversal Transgressions" - Guattari Reading Group, Milieux Institute for Arts, Culture and Technology, Montreal, CA

► September 2019: Membership @ Milieux/LePARC: Milieux's Performing Arts Research Cluster, Montreal, CA

► September - December, 2019: Project Conception and Coordination @Vidéographe - Project: "Vidéographe x Maison d'Haïti: co-création d'oeuvre audiovisuelle immersive", Montreal, CA

► 19 - 20 September, 2019: Oral Presentation and Performance (Research-Creation: An Interdisciplinary Composition for Decolonizing the Mind), 6th International Conference on Arts Humanities: Decolonization in the Arts and Humanities, Kuala Lumpur, Malaysia.

► 5 July, 2019: Workshop on Analysis and Modeling of the Piano/pianist Interaction : Cognition, Perception and Movement. Organized by CIRMMT, Clara Lichtenstein Hall, Montreal, CA.

► 11 June, 2019: Piano Performance, Interpretation of Pieces for Piano & Electronics from contemporary canadian composers, "Sound Landscapes" of the XVII International Image Festival/ FESTIVAL INTERNACIONAL DE LA IMAGEN, Digital Humanism, Manizales, Colombia

► 5-16 June, 2019: Participation in Field School of Fine Arts in Colombia, Manizales, Colombia

► 27-31 May, 2019: “Equity, Diversity and Inclusion in STEM: Achieving research excellence by adopting new perspectives”. Summer Institut, Concordia University, CA

► 9 - 10 May, 2019: Interuniversity, Interdisciplinary Student Symposium around the theme “Encounters, Collaborations and Interdisciplinarity in Music Research”. Members of membres of Observatoire interdisciplinaire de création et de recherche en musique, Centre for Interdisciplinary Research in Music Media and Technology and Cirmmt/Oicrm/Brams Symposium/Colloque. CIRMMT, CA

► May 2019: Thompson Family Field School Award, Faculty of Fine Arts, Concordia University, Montreal, CA

► March & April, 2019: Teaching Assistant at Concordia University, " THE HISTORY OF 20TH CENTURY FASHION", Fine Arts Interdisciplinary Studies Course, Faculty of Fine Arts, Montreal, CA

► 28 March, 2019: Conference Presentation, INDI Research Day: "Crossing over: Moving across disciplines", Concordia University, CA

► 2019: Program and Communications Manager at Videographe: Media Art Centre, Montreal, CA

► 2019: Membership @ HEXAGRAM: International Network Dedicated to Reseach-Creation in Media Arts, Design, Technology and Digital Culture, Montreal, CA

► 2019: Membership @ CIRMMT: Centre for Interdisciplinary Research in Music Media and Technology, Montreal, CA

► March, 2019: Teaching Assistant at Concordia University, "Transdisciplinary Composition and Creation", Department of Music, Faculty of Fine Arts, Montreal, CA

► 2018: Peer Assessment Committee Member for Canada Council for the Arts (CAC). Grant Programmes: "Explore and Create: 'Research-Creation' & 'Concept to Realization'"

► November 17-19, 2018: International Conference on Mixed-Music Pedagogy 2018, Schulich School of Music, McGill University, Montreal, CA

► November 2018: Graduate Award Concordia Merit Scholarship, Concordia University, Montreal, CA

► 30 November, 2018: Presentation @Athelier de la methode: Transacademic Collaborative Reseach/Creation Project, UQAM (Universtié dU Québec à Montréal), Montreal, CA

► 2018: Artistic Director/Executive Assistant at Videographe: Media Art Centre, Montreal, CA

► October 2018: Grant award from Canada Council for the Arts (CAC): Arts Abroad Grant / Reyonner à l'international, QC, CA

► 7 November, 2018: Athelier de la methode: Transacademic Collaborative Reseach/Creation Project, UQAM (Universtié dU Québec à Montréal), Montreal, CA

► 14 October, 2018: Athelier de la methode: Transacademic Collaborative Reseach/Creation Project, UQAM (Universtié dU Québec à Montréal), Montreal, CA

► 6-9 September, 2018: Performance @Festival d'art Féministe de Tunis/Tunis International Feminist Art Festival, Tunis, Tunisia

► August 2018: Summer Feminist Festival, Saint Paul University, Ottawa, CA

► June 2018: Grant Award from Première Ovation

► 21 June, 2018: Presentation of Research-Creation Project "Signifiant Otherness" @Composite#15 during Elektra Montreal Festival, CA

► 18-25 June, 2018: Collaborative Research-Creation Residency, OBORO, Montreal, CA

► 2018: Grant award form Première Ovation for Research-Creation Project, Qc, CA

► July - August 2018: Residency, Peer-sessions Summer 2018 / Commissions, Project: “Concert for Pianist & Non-Human Network”, La Cité Internationale des Arts de Paris,Paris, France

► 5-7 April, 2018: The Arts of Trans, Gender Divers, and Two Spirit Lives Conference., The Institute for Gender, Sexuality, and Feminist Studies (IGSF), McGill University, Montreal, CA

► 26 March, 2018: Concert produced by Codes D'accès - Comprovisations for Piani+ and Robotic Devices, @La Sala Rossa, Montreal, Canada

► 5 March, 2018: Digital Album Release - " Metamorphosis II for Piano Plus", Available on Itunes, Apple Music and Google Play : http://itunes.apple.com/album/id1357425421?ls=1&app=itunes

► 1 March, 2018: Project Presentaion - "Concert for Pianist and Non-Human Netwrok" at Rolston Recital Hall, Banff Centre for Arts and Creativity, Banff, Canada

► February 2018: Scholarship // Boris Roubakine Memorial Endowment Award offered by Banff Centre for Arts and Creativity for partivipation in "Concert in the 21st Century" Residency, Banff, Canada

► 2018: Athelier de la methode

► February 12 - March 3, 2018: Musician in residence - "Concert in the 21st Century" Program, Banff Centre for Arts and Creativity, Banff, Canada

► 2018: Membership @CQAM : Conceil québécois des arts médiatiques

► 2018: Selected artist by Labsession#13 - ZzCc's Duo Performance project- Labsessions invite emerging artists working in the field of digital art to submit a new work-in-progress project. Labsession and partners(more than 10 Art Centres) aim to support emerging artists working in digital arts, and to give them the opportunity to showcase the work they do, Quebec City, Canada

► August 1, 2017: Comprovisation, Solo Concert - 3d International Conference of Dalcroze Studies - ‘The living moment: Exploring improvisational practice’, Quebec City, Canada.

► July 16, 2017, 2D Audio Spatialized Performance on Piano+ and Robotic Devices, New York City Electoracoustic Music Festival(NYCEMF 2017), New York City, USA

► Grant Award from CALQ (Conseil des Arts et des Lettres du Québec) for 2D Audio Spatialized Performance on Piano+ and Robotic Devices to be presented at the NYCEMF 2017, New York City, USA

► Prsentation of Practice-based Research: Epistemic Self-reflexivity to the Human-machine Relationship within an Unconventional Piano Performance Practice, Kunstuni Graz, Doctoral School for Artistic Research (KWDS), Graz, Austria

► June 20-23, 2017: Conference Reviewer of the 23th International Conference of Auditory Display. Pensilvania State University, Pennsylvania,USA.

► June 4, 2017: Lecture/Workshop on “Comprovisation” - Festival de musique et d'art sonore . Music and Sound Art Festival, Moncton, New Brunswick, Canada.

► June 3, 2017: Comprovisation, Solo Concert - Festival de musique et d'art sonore . Music and Sound Art Festival, Moncton, New Brunswick, Canada.

► May 22-25, 2017: Participation as Invited Artist, Northern Connection Conference, RPI Univeristy, University of Maine, McGill Univerity, IMRC CENTRE, Orono, USA

► April 15, 2017: Album Release, Quintet Improvisation, Nate Aldrich(Electronics), Leslie Ross( Bassoon & Electronics), Steve Norton( Bass Saxophone) and Duane Ingllas( Percussion, voice).

► April 4, 2017: Performance "Comprovisation for Piano+ and Robotoc Devices". Soirée F5, Museum of Civilisation Quebec City/Musée de la civilisation de Québec, Quebec City, Canada.

► March 23, 2017: Workshop on electroacoustic Music/Max MSP, EQ: Women in Electronic Music, Toronto, Canada

► March 6, 2017: Recording Session, Piano+ and Robotic Arms, Recording Studio of CÉGEP de Drummondville, Drummondville, Canada

► February 26, 2017: Concert of “Ensemble nous sommes Québec”. Capitole de Québec, Quebec City, Canada.

► February 24, 2017: Concert of contemplation: in Solidarity with Anoush Moazzeni, IMRC Center, University of Maine, Stewart Hall, Orono, USA.

► February 1, 2017: Musician in Residency at LANTISS (Laboratoire des Nouvelles Technologies de l'Image, du Son et de la scene / Laboratory for Image, Sound and Scene New Technologies) - Working on the 3D Audio Spatialization technologies

► Scholarship award from the Première Ovation Musique/ Ville de Québec and Ampli Québec, for Musician in Residence at The Banff Centre, Comprovisations on Piano+ with Robotic devices.

► Scholarship award from the Banff Centre for Arts and Creativity, for Musician in Residence at The Banff Centre , Comprovisations on Piano+ with Robotic devices.

► January 8-28: Musician in residence with award of The Banff Centre of Arts and Creativity, Creation-Production Residency, Concert of Piano+ and Robotic devices, The Banff Centre o Arts and Creativity, Banff, Canada

► November 7: Recording Session - Experimental Music Improvisation. Anoush Moazzeni(Piano), Nate Aldrich(Electronics), Leslie Ross (Bassoon and electronics), Steve Norton(Bass Saxophone), Duane Ingalls(Percussions). At IMRC (Innovative Media, Research and Commercialization Center), Orono, USA.

► October 20: Recording Session at CIRMMIT- McGill Univertiy, Montreal, CA

► October 17-21: Visiting artist in McGill Research Centers & Collaborative Research with the University of Maine : CIRMMT (Centre for Interdisciplinary Research in Music Media and Technology)/McGil, IDMIL (Input Devices and Music Interaction Laboratory)/McGill, EMPAC (Experimental Media and Performing Arts Center)/UMaine.

► September 10 & 11: Concert of Piano+ and Live Electronics With Live Video, RETHinkArt Digital Festival. Rethymno, Crete, Greece.

► August 26: Concert of Piano+, Automated Unconventional Instruments, Augmented Bassoon and Live Video. Anoush Moazzeni on Piano+, Live Electronics and Live Video, Sonia Paço-Rocchia on Automated Unconventional Instruments, Augmented Bassoon and Live Electronics, @The Cannery, Maine, USA

► August 22-26: Musicians in Residence @The Cannery at South Penobsco, Collaborative Reserach-Creation residency with Sonia Paço-Rocchia, Maine, USA

► August 21 & 22: Anoush Moazzeni on Electronics, Chamber Music Concert, Sound Imrov Festival, Maine, USA

► July 7: 40 minutes Concert of Piano+ & Live Electronics. Anoush Moazzeni on Piano+ and Real Time Electronic Manipulation and Dr.Aaron Liu-Rosenbaum on Live Electronics, Hosted by: Festival Off de Québec. Ed.2016 Quebec City, Canada. More info> http://quebecoff.org/artistes-2016/anoush-moazenni

► June 19 - 24: Concert of New Music, on the Fender Rhodes. TCML 2016, 918 Bathurst Centre for Culture, Arts, Media & Education and the Canadian Music Centre’s Chalmers House, Toronto, Canada

► May 31- June 4: Attendance to the Immersion Symposium/Conference and Workshop, SAT, Montréal, Canada

► May 26: Radio broadcasting of the entire Compo-performance "Hyper Piano", performed and recorded live in Tortonto in Feb 2016 ☛ On CHYZ 94.3 and CKRL 89,1 / 7:30 pm Eastern Time

► 4th place winner of the “Bourse en milieu de pratique BMP Innovation” The Fonds de recherche du Québec – Société et culture (FRQSC) In collaboration with the Musée de la civilisation de Québec (MCQ) “A national identity study through the creation of an emergent opera” “Une étude d’identité nationale à travers de la création d’un opéra émergent”

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